Each month a regular challenge is set to give Alpha Writers a chance to flex their writing muscles and engage in some friendly competition. Read on for details of present and previous challenges, entries and results!

CHALLENGE 8
Alpha Day 8: 19 February 2009

A Flight of Fancy to exercise your imagination

You have completed a 20 week Writers Residency at a location of your choice.

(Kiwis bear in mind that Rotorua, Wellington and Auckland host such residencies. I know such residencies are available in France, as well as the UK - I just don’t know where. A little bird suggests that there is one on the Shetland Islands.)

The residency provided rent free accommodation and a separate workspace, with a grant paid fortnightly. On completion of this residency you were required to participate in a literary luncheon, a one day writer’s workshop, a community presentation and a media interview. You were also required to engage with a Creative Writing School at a local College. Those may or may not have been carried out yet.

In order to qualify for this residency you proposed - to the trust which oversees the residency - the writing project that you would complete during this time. As well, you listed your already published work that qualified you for this residency.

Using any or all of that information, and a maximum of 450 words, write an essay about your experience. Use a personal voice, and tell it first person.

Robert Atwan says in The Return of the Essay that what an essay gives you is a mind at work, that the essay leaves both the writer and reader with a truth.

NB While this is purely fiction, keep in mind that wishful thinking goes a long way! Best of luck.

Maya


RESULTS:


Winning entry by Julie:

A writer’s residency is the gift of an opportunity to step outside of daily life, especially outside of time-consuming (albeit rewarding) activities related to household chores, pets, relationships, and paid work. It is akin to entering an artist’s paradise; open time and space, as well as the tonic of a radical change of scene. The gift I received was a twenty week residency at the Santa Fe Art Institute.

This gift did not bestow comfort or ease, however. Life without lawn-mowing, dog walks, or hugs sometimes felt lonely and ungrounded. I missed the egg yolk coloured paint in my study, fresh dill from the garden, and the softness and texture of my perfect mattress and 100% cotton sheets. The desert landscape and extremes of temperature felt alien and vaguely threatening, and I chafed under the pressure to produce my best writing within a specified timeframe.

Yet it was a productive and delicious discomfort. I drove alone into the desert and slept under the stars, fighting frigid temperatures at night and staring down snakes at high noon. I began by feeling intimidated at the abundance of talent at the Institute, but emerged feeling invigorated by camaraderie and playfulness. Even the obligatory literary luncheon was an exercise more in competitive quipping than earnest posturing, and it left me chuckling for days.

The magic at the heart of it all, though, is the creation of an environment in which creative activity becomes a norm that is completely taken for granted. The Institute houses numerous writers and visual artists at any given time, and is also an integral part of creative life in the city of Santa Fe. One of the conditions of my residency was making a contribution to one of their ongoing outreach activities. I worked on a project called El Otro Lado: The Other Side. The focus is on local high school students’ experience of immigration and place, and involves conducting visual art, writing, and audio recording workshops in order to help them voice their experiences. Presenting myself as a writing expert in the midst of a blend of unfamiliar cultures was unnerving, and I stumbled in my first engagements with the students, but once we connected the atmosphere was electric and highly productive.

In spite of all the activity, I enjoyed long stretches of uninterrupted quiet and produced the promised short story collection. It doesn’t feel polished or complete, but it continues to spark new ideas and may yet take flight in other forms. Everything is in motion; the residency has helped me to flow with the metaphorical river of creativity, for now at least.


Runners up: Margie, Dianne, and Rosemary


Margie's entry:

Have you ever been publicly accused of being a symbol of oppression, misery and murder?

I have.

Would you deliberately place yourself in a situation where this could happen?

I did.

The year was 1985 and the height of the anti-apartheid movement in South Africa. Far from home, I had just completed a residency in the small university town of Monmouth, Oregon, USA. It had taken a year-long search to find this welcoming community, during which time it had seemed that the whole world was against everything and everyone South African.

'First and foremost, be an ambassador for your country', had been the advice to me from the Rotary Foundation scholarship committee at my farewell luncheon. In the friendly Monmouth environment, this was not difficult. Now I was looking forward to formally presenting a programme depicting the natural beauty of my homeland to a gathering at the university. There was so much more to South Africa than meets the eye in newsprint. I would be a true ambassador.

Then the evening before the presentation my professor paid me a visit. His serious face told me he had come with bad news.

'A group of students are planning an anti-apartheid demonstration and you and your presentation will be the focus. You are the only South African at the university now and this is their opportunity to join forces with the world student body protesting against your country’s policies. We don’t know exactly what they are planning and we think you should cancel your presentation. It would be safer.'

Safer? A demonstration? I had seen enough of those in South Africa to fill me with fear. I would cancel. What a pity. I was looking forward to being an ambassador for my country, with its mountains and rivers, oceans, forests and deserts, rare plants and wildlife. The world knew little of these. How could they when the media focused solely on struggling people, brown, white, black, fighting for freedom, banned, banished, jailed. Brave, beautiful people many of them, resisting an evil power.

And I, a representative of my country was running away.

Cancel? Never. And so I came to be publicly accused by a group of demonstrators carrying aloft anti-apartheid placards. I gave them time, answered their questions as best I could and then asked them to respect the audience who had come to learn something different about South Africa.

After the presentation, an attempt was made to usher me out of the back door – the demonstrators were waiting at the front. I chose instead to meet them. We talked, heard each other, shook hands and parted. Was I still a symbol of oppression, misery and murder to them? I”ll never know.


Dianne's entry:

At a school reunion an old classmate, at the top of her nursing career, asked me what I did. I told her I was a writer and she replied: “Now why doesn’t that surprise me?” It surprised me though, somehow I didn’t think of myself as a real writer.

I’ve always been known as a scribbler, ‘good with words’. As a child I wrote plays. They seldom got finished, and rarely performed, but still I wrote them.

I’ve been lucky enough to have a couple of things published. A bit of a self help book, a short history of the country district where I grew up, a small collection of short stories about farm life in the 50’s. Not really that much; still a dabbler, still a scribbler.

It was enough though, to impress the trustees of the Literary Trust, who appointed me Writer in Residence for a 20 week stress (and rent) free period in which to write. The trust members were impressed with the idea of the full length play I suggested. They expressed excitement at the working title I’d given it.

I have completed my residency and tomorrow I address a group of Creative Writing Course students to tell them about it. Lessons learned, how the experience enriched my life, my writing skills, future plans. They’ve heard it all before. I’d heard it all before. I don’t know whether to give them that or tell them the truth.

The first days in residence were euphoric; space, financial freedom; heaven for a struggling wannabe writer. By the 10th week with no more written than “Such a scribbler. Scribble scrabble, dibble dabble,” I came to the conclusion that that is all I am: a wannabe and that I had to stop lying to myself. I either want to be a writer or I don’t. If I don’t, then front up to the trust and admit I’d stuffed up.

After looking that truth in the eye for several hours, I began to write. For the first time in my life I lost myself in what I was doing. The days passed, I did the minimum of ‘other’ work, and I wrote. When I got stuck I’d ask myself: “Well, do you or don’t you?” I wrote until the last day, lost in an experience I hadn’t known was possible. Whether my masterpiece succeeds or not is less important than that I completed what I set out to do, though first reactions to it are really positive.

I’ll tell the students the truth. Sometimes we stuff up, and sometimes we stop lying to ourselves. That’s when we can start to write.


Rosemary's entry:

Twenty weeks of solitude in such beautiful surroundings can do nothing but stir my creative spirit. My time here has brought me nearer to nature and closer to God. It has been a time of reflection and introspection. A time in which I have come to know myself better and feel compelled to confess the truth about my past.

It is with sadness and regret that I conclude that I do not have an original thought in my head and must admit to extensive fraud and plagiarism. I have painted for myself a character that was sadly based entirely upon fiction.

My first novel was not my own work, but a translation of an out of print book in Serbo-Croat. Strangely despite the translation of my book back into that language this is a fact that has not been picked up and I can only think that either my translation from the language or the subsequent translation back into that tongue was of poor quality, though thankfully this did not affect sales, the proceeds of which are now deposited in a numbered Swiss bank account.

I did not have the dysfunctional upbringing outlined in my autobiography. This is a total fabrication, a combination of stories gleaned from my early years working as a bookkeeper in a mental hospital. My mother was not killed in a bungled kidnapping and my father was not murdered by a gang on the New York subway. They led happy lives retiring to Spain and died through natural causes at a good age. My father was never involved in forgery or art theft and my mother did not earn a living running a brothel while I played in the back yard.

Until these last weeks, I had smoked no drugs and my escapades drug running by boat trips to Venezuela from Aruba were no more than figments of my repressed imagination. The closest I have been to hard drugs is paracetemol and the closest to Aruba was a weekend in Brighton. It’s true that I was partial to a small sherry, but quaffing Champagne with the stars at movie premieres is something I have yet to do.

I have thought about my next book. This will be the saga of a confused middle aged woman leading a spectacularly cunning double life. She later gives up everything to become a nun. Her path to betterment is marred by imprisonment for deception, but she ultimately triumphs with the help of the gullible prison chaplain, who believes her account of innocence and betrayal.

Prolonged periods of solitude may be bad for my mental state. I am looking forward to discussing this at the media interview on Friday.

Previous Alpha challenges for 2008/2009:
Challenge 1 - Chair
Challenge 2 - Stratford
Challenge 3 - 'We find the defendant guilty'
Challenge 4 - Victorian photograph
Challenge 5 - Garment
Christmas Quiz
Challenge 6 - Haiku
Challenge 7 - Terror

Alpha challenges and results for Year 2 (2005/2006)

Alpha challenges and results for Year 3 (2006/2007)

Alpha challenges and results for Year 4 (2007/2008)



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